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                   This page includes interviews, links, information and artist merchandise for:                       

L.E.G.A.C.Y, UNI, GROVER, HALO, MUSAB

 

L.E.G.A.C.Y

L.E.G.A.C.Y., whose name is an acronym for “Life Ends Gradually And Changes You.” On his debut solo effort, Project Mayhem, Legacy attempts to emerge from the ranks of the Justus League roster to glory with unique lyricism and personal pain.

L.E.G.A.C.Y. (which stands for Life Ends Gradually And Changes You) is a member of North Carolina's Justus League, a crew that became very famous in the independent hip-hop world due to the incredible success of "The Listening" LP by Little Brother. Fans heard Legacy on "So Fabulous". 9th Wonder, Little Brother and Justus League's producer is gaining more and more respect with every beat. Legacy is about to release his solo LP "Project Mayhem" but to give people a taste, he put out "Legclusives" completely by himself. With production entirely by 9th Wonder, "Legclusives" is a very entertaining 10-track peak into the life of Legacy. "Nice" is an incredible track which samples Greg Nice for the hook. "Insomnia" is a true story about the stress and torture of not being able to get a good night's sleep while "Marla's Got A One Track Mind" is a unique take on Diamond D's classic "Sally's Got A One Track Mind". Legacy has creative themes, sharp lyrics, a dynamite flow, and excellent production by 9th Wonder to back him up. In the spirit of Lone Catalysts, Five Deez, Little Brother, and others, Legacy is the future of intelligent independent hip-hop. Legacy's legacy has just begun!

 

UNI Bio:

UNI Interview part 1


U-N-I
THURZDAY & Y-O

“THURZDAY”
THE INGLEWOOD NATIVE HAS BEEN THE BEST KEPT SECRET AND IT’S ABOUT TIME THAT THE HIP HOP WORLD EMBRACES HIM. GROWING UP THURZDAY (BORN YANNICK KOFFI) FELL IN LOVE WITH MUSIC PLAYED BY HIS ELDERS THAT CONSISTED OF HIP HOP, REGGAE AND SOUL. THE CONSTANT PLAY OF REGGAE MUSIC IN HIS BELIZEAN HOME HELPED HIM TO HAVE A DIVERSE APPRECIATION FOR MUSIC. HE TOYED WITH THE IDEA OF BEING AN EMCEE UNTIL HE LEARNED HOW TO WRITE MATERIAL IN SONG FORMAT. AFTER RECORDING HIS FIRST COUPLE OF SONGS ON A KARAOKE MACHINE, THE HUNGER TO SUCCEED AS AN ARTIST KEPT GROWING.

“I WANT TO BULLY THE RAP GAME… I WANT TO MAKE AN IMPRESSION WITH EVERYTHING THAT I DO” -THURZDAY

WITH HIS FAR-FROM-AVERAGE LYRICAL CONTENT, THIS WITTY AND INTELLIGENT EMCEE RAPS ABOUT REAL LIFE SITUATIONS THAT MANY PEOPLE CAN RELATE TO. DUE TO HIS DIVERSE TASTE IN MUSIC, THURZDAY IS INFLUENCED BY BOB MARLEY, BIGGIE, WU-TANG, ATCQ, J DILLA, TUPAC, AL GREEN, REDMAN, LITTLE BROTHER, COMMON, BLACK THOUGHT AND THE ROOTS, AND MOS DEF. THURZDAY REAPS CREATIVITY AND ITS NO WONDER WHY THIS UNIQUE ARTIST IS BEING RECOGNIZED EVERYWHERE HE GOES.


"Y-O”
THE VIBRANT MOHAWKED EMCEE FROM SEATTLE, WASHINGTON IS LIKE NO OTHER INDIVIDUAL IN THE HIP HOP GAME. THIS ECLECTIC SOUL HAS NO LIMITATIONS TO HIS SKILL AND ABILITY AS AN EMCEE. BORN YONAS SEMERE MICHEAL (YONAS MEANING “SOLDIER”), Y-O CONTAINS A RELENTLESS DRIVE TO EXPLORE ARTISTIC REGION FAR BEYOND THE COMFORT ZONE. BREAKING DOWN ALL SORTS OF BARRIERS, HE CONTINUES TO MAINTAIN AN EDGE AND STREET CREDIBILITY THAT RESONATES WITH THE PURIST, SUBURBIA AND THE STREETS, ALL IN ONE.

RAPPING SINCE JUNIOR HIGH SCHOOL, Y-O BEGAN TO TAKE HIS CRAFT SERIOUSLY AFTER HE PACKED HIS BAGS AND MOVED TO INGLEWOOD, CALIFORNIA IN 1996, WHERE HE HOPED TO GAIN AN EDGE IN THE MUSIC GAME. INSPIRED BY SUCH ARTISTS SUCH AS KRS-ONE, RAKIM, TUPAC, J DILLA, BIGGIE, DR DRE, MOS DEF, AND COMMON TO NAME A FEW, Y-O CONTINUED TO FOLLOW HIS LOVE FOR HIP HOP.

“I MADE MY DECISION TO TAKE THIS MIC AND USE IT AS A CAREER TO TAKE ME PLACES WHERE I NEVER BEEN BEFORE… WHERE I DREAMED OF.” - Y-O

U-N-I
IN 1999, AT THEIR FIRST DAY AT ST. BERNARD HIGH SCHOOL, Y-O MET THURZDAY, ANOTHER RAW MC. DURING LUNCH THEY WOULD HAVE FREESTYLE BATTLES THAT WOULD GET THE WHOLE SCHOOL WILD. THEY QUICKLY RECOGNIZED EACH OTHER’S TALENTS.

TOGETHER AS “U-N-I”, THEY HAVE OPENED UP FOR REDMAN AT THE SNEAKER PIMPS TOUR IN LOS ANGELES, AND CHICAGO’S VERY OWN, LUPE FIASCO AT THE KEY CLUB ON SUNSET. THEY HAVE CONQUERED AIRWAVES ON POWER 106FM IN THE MIX WITH DJ RAPHIKI, AND ON 93.5 KDAY WITH THE GOODFELLAS. THEY ARE CURRENTLY FEATURED IN THE FOURTH EDITION OF SCHEME MAGAZINE, AND HAVE BEEN INDUCTED AS THE FIRST SCHEME MAGAZINE ARTIST, OR SCHEMERS. U-N-I CAN BE SEEN ON SCHEME MAG’S WEBSITE AT
HTTP://SCHEMEMAG.COM/SCHEMERS/U-N-I.

RECENTLY THEY HAVE BEEN FEATURED IN URB MAGAZINE’S NEXT 1000. THE NEXT 1000 IS WHERE URB SCOURS THE GLOBE TO BRING YOU 20 BREAKING ARTISTS PER WEEK FOR A WHOLE YEAR. U-N-I RECEIVED A COPIOUS AMOUNT OF VOTES AND YOU CAN ADD A VOTE AND COMMENT AT HTTP://WWW.URB.COM/PROMOTIONS/NEXT1000/PROFILE.PHP?BANDID=371.

CURRENTLY U-N-I IS PROMOTING THEIR STREET ALBUM, “FRIED CHICKEN AND WATERMELON.” LACED WITH 14 TRACKS OF COMPLEX, THOUGHT-PROVOKING AND PLAYFUL LYRICISM COUPLED WITH SURE-FIRE BEATS, “FRIED CHICKEN AND WATERMELON” IS SET TO BREAK THE STEREOTYPE GIVEN TO WEST COAST RAPPERS. THEY HAVE RECEIVED GREAT REVIEWS ON OKAYPLAYER.COM AND RAPMULLET.COM, AND HAVE BEEN RECEIVED WITH OPEN ARMS IN THE CZECH REPUBLIC.

“IT’S NOT GANGSTA RAP, IT’S FRESH NEW HIP HOP MUSIC FROM 2007 AND BEYOND.” -Y-O

THE STREET ALBUM ALSO INCLUDES HOT PRODUCTION FROM SWIFF D, RO BLVD, MOUFAHZA, PROH MIC, DIABOLIC AND DAME TAYLOR.

U-N-I IS SET OUT TO BRING A NEW SOUND TO THE GAME, WHILE KEEPING IN THE MIND THE TRUE FUNDAMENTALS OF HIP-HOP. UNFAZED AND DETERMINE, U-N-I IS BREAKING DOWN BARRIERS BY ATTRACTING PEOPLE FROM ALL DIFFERENT AREAS. IT’S NOT JUST AN URBAN SOUND, BUT ALSO SUBURBAN. U-N-I, SHORT FOR “U-N-I TO THE VERSE,” (LIKE YOU AND I) IS DETERMINED TO UNITE PEOPLE WHEREVER THEY PERFORM. THROUGH THEIR UNIQUE SOUND AND RAW TALENT, THESE VERSATILE AND AUTHENTIC ARTISTS WON’T STOP UNTIL THEIR MESSAGE OF UNITY GETS ACROSS. FROM ASIAN, TO BLACK TO LATINO, EVERYONE IS CERTAIN TO VIBE WITH THEM.

 

MUSAB BIO:

Musab has a way of telling tragedy without bloodshed, guns or drugs - his lyrics somehow are more thrilling and dramatic than these typical gangster rap subjects. His songs tell another side to the American ghetto, that of the black American pimp. A modern day, real life pimp, he puts his own twist on the pimp game and translates it into the rap game. Often glamorized in pop culture and rap music videos as a plush lifestyle, Sab will be the first to say that's a big misconception. "On the other side of the flash and front, it's a very dirty game and strenuous lifestyle that one must have grit and stomach to endure," he says.  Sab (a.k.a. Minnesota Slicks) is a "pimp by blood" as they say. He was born to a fifteen-year-old mother during the seventies "Superfly Era," in Minneapolis, MN, fatherless and raised alone by a teen mother. He saw and experienced many things most children don't, and was introduced to "the oldest profession" by family and friends living the lifestyle. In turn, he became street crafty at a young age. Strapped with a genius IQ level, Sab had the mind and remarkable wit to hurdle the many obstacles put in his way throughout his life and career. Living by one of his favorite sayings, "Don't work harder, work smarter," Sab has built one of the most profound stories in hip-hop culture, earning his peers’ respect through his hard grind and sharp decision-making.

From the first time he heard "Rappers Delight" at one of his mother's house parties, he was obsessed with rap.  He penned his first rap in the third grade and continued to write as a hobby until the age of eighteen. After losing his cousin to murder in the apartment they shared, Sab realized he was in the street game too deep and had to turn to a new direction before it was too late.  So, he began taking rap seriously. He teamed up with Ant (Atmosphere) and started to write and record songs nonstop as he tried to flee life on the streets. He was asked to become a member of local rap collective The Headshots in 1993. The Headshots went on to record classic mixtapes out of the basement of producer Ant. These mixtapes would go on to spawn one of the most fruitful hip-hop scenes in the country... right in snowy Minnesota.

Between the recordings of The Headshots mixtapes, Sab recorded his own album under the name Beyond in 1996. The album was titled Comparison and was the first release of indie hip-hop label giant, Rhymesayers Entertainment. It was an instant regional classic and greatly influenced the Minnesota Hip-Hop sound. Musab guest appeared on Atmosphere's classic first release, Overcast (1998), then teamed up with Atmosphere, I Self Divine of Micronauts, Gene Poole of Full Circle, and producer Ant of Atmosphere to form the super-group The Dynospectrum. They recorded a self-titled album, which became another critically acclaimed instant classic.

While trying to provide for his three children, he still managed to release The Be Sides on cassette in 1999. However, his focus on music was in-and-out due to financial stress. This was a major transition period for Sab as an artist. He decided to drop his recognized emcee name of Beyond in favor of his own name, Musab, because he wanted to express truth in all platforms of his art. Redeveloping his sound and songwriting, he recorded and released the maxi-single "Actin' Rich" in 2000. It garnered mixed reaction amongst underground rap fans that were unsure of Musab's new direction. This is when the "pimp" started to speak louder than the "MC," as heard in songs like, "Guard Your Harem," and "Where My Mama Chill." He knew this sound and direction might draw controversy amongst underground rap fans for his provocative pimp slur. However, he felt he was telling a story that needed to be told - his own. For as much music as he was recording, there was still a side of him not being revealed in his music. He decided to let the pimp's voice be heard on his next album, Respect the Life in 2002. With production from Jake One, Vitamin D, Brother Ali and Ant, he recorded a candid and vivid musical biography. Respect the Life introduced the world to Minnesota Slicks, the Southside mack.

A single was never released from the album and many feel it wasn't well promoted. Creative differences arose between Musab and Rhymesayers Entertainment, but Sab didn't fold.  He polished his game and brought Minnesota Slicks to the forefront of his career in undeniable fashion.  With a loyal fan base awaiting his next release, he stayed true to his indie roots and in 2007 joined forces with Oakland based rap pioneers, The Hieroglyphics.  After eleven years in the rap game, his steadfast hustle has brought Sab to the front of the line.  Musab's next groundbreaking album entitled Slick's Box, is set for release in July, 2007. With a lot of life lived and a lot of pimpin' done between albums, Slick’s Box, will surely add to the legacy of this colorful hip-hop pioneer.

Halo's interview with Musab!

5.7.08 The Social  Hour 1

Grover

I am Grover, a Rap Artist/DJ. Check me out on Sirius Radio's Howard Stern Show, Bubba the Love Sponge, Hip Hop Nation and H100 News. You can hear my weekly Stern raps @ www.sirius.com There is a link in my blog to dowlnload a bunch of my music for free (Who pays for music nowadays anyway?) Subscribe to my youtube channel @ www.youtube.com/grovergrove and grab my CD @ www.mixtapebros.com

 

 

R.E.D.I Music/ HALO

 

Name: Halo

Affiliation: R.E.D.I.musique/ Adiktive Media

Occupation: CEO, Producer, Emcee  

Alias: Tha Lost Angel    

 

BIO:

What you know about...R.E.D.I. musique???  This is one of the illest up and coming independent hiphop labels on the West Coast.  Founded by Halo, an ambitious California native with a vision of bringing his musical talents to life; producing and writing.  Toward completion of his senior year in high school, he met Jinxdaloe; an ATL/Miss native with a strong passion for hiphop music; the two striking an immediate vibe. 

  After graduating high school is when Halo started to strongly pursue his dream writing and producing; attending college part-time in attempts to obtaining a degree in Communication.  While Halo was in the books, Jinxdaloe was in the military loading bombs in Germany; periodically checking on the progress with the music.  With just a keyboard and a drum machine, Halo went to work; determined to become one of the best out there in the music biz. 

 

BIO Continued:

Constantly in the studio(Tha Wrecshop) perfecting his craft, Halo still felt like something was missing. Besides the need of quality equipment, recording vocals became an issue; at the time they were recording through the auxilliary of a CD player but later got their hands on recording software and a desktop. This is just what Halo and Jinxdaloe needed in order to take the world by storm.  With Jinxdaloe arriving back in Vegas that year, the two were finally in a position to record an album together.  Thus, forming Tha LostSols and the rest is history...

 

Current Projects: Tha LostSols Lp - 2007 (now available on Snocap)

                          R.E.D.I. Mixtape Vol. 1- 2006 (free download on datpiff.com)

                 

                           Tha LostSols: Everlastin' Bass - comin soon...

 

THE SKINNY:

 

The great architect of the R.E.D.I. musique/ Adiktive Media movement, displaying vast amounts of originality and creativity within the two. The Cali native, now residing in Las Vegas has been producing since '99 and has been rhymin' for 15 years; delivering a smooth but yet hard style to the mic.

With influences such as Run DMC, Rakim, Slick Rick, Big Daddy Kane, NWA, DJ Quik, Ghetto Boys, and many others, it was destined for Halo to become one of the illest emcees coming out of the West.  The production end has a slightly different story.  Since Halo was a young boy he always had this ear for music; it was very remarkable considering his parents did not put him in any music classes or art schools. 

At the age 19, with nothing but a keyboard and inspiration, he set forth to understand the process of composition.  Halo, being a fast learner, excelled quickly and started to evolve into his own that following year.  In 2003, R.E.D.I. musique was formed with Adiktive Media following three years later.  Adiktive Media was assembled due to wack radio stations and wack DJ's flooding the people's ears with the same ol' same. 

In 2006,  Tha Junkie Hour was created; a Vegas hip hop radio show, demolishing the entire game with classic selections from new to old.  In addition to, promoting a number of shows, concerts and small businesses throughout the the U.S.  Adiktive Media provides quality advertising for a low price so holla at 'em if you have anything to promote.

For more info on production you can contact Halo at poeticpirana@yahoo.com or www.myspace.com/redimusique   http://www.isound.com/redi_musique